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Pacific Repertory Theater, Carmel. B8 Theatre Company, Concord. Falcon’s Eye Theater, Department of Theatre And Cinema Arts At Folsom Lake College. Raven Players, Healdsburg. Foothill Music Theatre & Foothill College Theatre Arts, Los Altos Hills, Ca. California Shakespeare Theater, Orinda. Palo Alto Players. TheatreWorks Silicon Valley, San Jose. City Lights Theater Company, San Jose. Splinter Group Theatre Company, Sacramento. Wildflower Women’s Ensemble, Sacramento. The Western Stage, Salinas.

In the party scene, Maximo Califano’s handsome and suave Drosselmeyer was nuanced and witty without being domineering, Clearly he still stands somewhat in awe of Nahat’s long-standing interpretation, but he broken mirror shoes/ silver flats/ disco ball flats/holiday party shoes/ silver glitter ballet flats/ hologram shoes/ rhinestone has started to add his own touches, Where Nahat, for instance, returned to the party tipsy, Califano had stuffed his mouth with food, To each his own, The only possibly sour note in the warm and lively Christmas party concerns the Tanenbaum boys, Hans (Francisco Preciado) and Karl (Shuai Chen), Adults portraying rambunctious children just may be an impossible assignment, Nahat turned to slapstick, which is funny — once..

“You have to spend money to make money,” he told council members, some of whom were taking photos of him from the dais. “If you get this done, all of you here will be considered legends in this city forever. Just do it and just win, baby.”. City Councilwoman Libby Schaaf made clear “I do not think this city can afford to subsidize” the building of stadiums, but she and fellow committee members Pat Kernighan and Lynette Gibson McElhaney all appeared to share Perez’s enthusiasm for allowing Colony Capital and HayaH Holding to join the stadium-planning team under the banner of the Bay Investment Group. Colony alone manages investments totaling $32 billion, offering the chance for the city to get its Coliseum City without giving public money away to have it built.

Cantor Arts Center at Stanford University, “Flesh and Metal: Body and Machine in Early 20th-Century Art,” more than 70 artworks that explore a central dynamic of art making in Europe and the Americas between the 1910s and the early 1950s, through March 16, “Her Story”: Prints by Elizabeth Murray, 1986–2006, through March 30, 11 a.m.-5 p.m, Wednesdays-Sundays; Thursdays till 8 p.m, Stanford broken mirror shoes/ silver flats/ disco ball flats/holiday party shoes/ silver glitter ballet flats/ hologram shoes/ rhinestone campus, off Palm Drive at Museum Way, 650-723-4177 or museum.stanford.edu, Gallery 9, “Letters Home Across the Fields,” works by Menlo Park artist Joyce Savre Hutt, Through March 1, Gallery 9, 143 Main St., Los Altos, 11 a.m.-5 p.m, Tuesdays-Saturdays; noon-4 p.m, Sundays, 650-941-7969 or www.gallery9losaltos.com..

Of the trio dances, I loved, loved, loved the smokin’ hot salsa by Calvin and (as Erin called them) the “Doublemint Twins” — Lindsay and Witney. Calvin tossed them, threw them, had a lift where he twirled around with the women balanced at his shoulders and waist, and at one point, Lindsay or Witney (I can’t tell them apart sometimes) flipped the other pro over her shoulder. It was happy, infectious and a lift for the tension and emotion in the ballroom. Oh DearOne of the few Oh Dear moments in the show tonight was during Calvin and Lindsay’s tango. Calvin was dancing a bit too fiercely near the edge of the dance floor and Lindsay almost fell off and into the audience. At the last minute, Calvin pulled Lindsay back and carried on as if nothing had happened. It really was easy to tell that all five couples were trying their best to make it to the finals next week, and they all pulled out all the stops.

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