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Very Merry Pops Christmas: This popular family show features classic holiday songs, jazzy suites and a sing-along medley of carols. Dec. 21, 3 p.m. Smithwick Theatre, Foothill College, 12345 El Monte Road, Los Altos Hills. $15-$47. 650-856-8432. The Fox on the Fairway: Los Altos Stage Company presents a farce about the stuffy denizens of a private country club. Through Dec. 14. Bus Barn Theater, 97 Hillview Ave, Los Altos Hills. $18-$34. losaltosstage.org, 650-941-0551. Midpeninsula Widow and Widower Association: Meets Tuesdays, 7:30 p.m. Los Altos Lutheran Church, 460 S. El Monte, Los Altos. 408-246-4642.
“Our philosophy is positive: You reward them for doing what you want, You never use fear to train ballet shoes emma watson the horse, When they don’t feel threatened by you, they give you all they’ve got.”, That love for the esprit of the horse comes through in the show, In the dressage interludes, for instance, the horses are encouraged to move with their natural gait instead of a strictly enforced style, The “Cavalia” horses also have no makeup applied (as they might in a horse show), As Latourelle says, they are naturally radiant..
Whenever a social justice movement starts to get off the ground, people with an interest in keeping uneven power dynamics skewed in their favor have a tendency to make slippery-slope arguments, positing the most extreme “what if” scenarios they can imagine. The new play by Louisiana bayou-born San Francisco playwright Anne Galjour (“Hurricane,” “Mauvais Temps”) seems to depict that sort of outlandish situation for the #MeToo era. In “#GetGandhi,” a small group of San Francisco radical feminists decides to topple the Mohandas K. Gandhi statue outside the Ferry Building because of Gandhi’s controversial “brahmacharya” (celibacy) practice of having young women followers sleep naked next to him to test his purity. To these three present-day white American women, that fact alone makes the Mahatma nothing but a misogynist rapist who’s got to go.
The show will run through Jan, 4, In addition, the Walnut Creek-based company announced the Diablo Ballet premiere of the Sweetheart Pas de Deux from Eugene Loring’s masterpiece ballet, “Billy the Kid” and the 2013 edition of “A Swingin’ Holiday,” Friday at 8 p.m, and Saturday ballet shoes emma watson at 2 and 8 p.m, at the Lesher Center for the Arts, 1601 Civic Drive in Walnut Creek, The season will also celebrate the appointment of Robert Dekkers, dancer and choreographer with Diablo Ballet, as resident choreographer..
So the researchers set up an experiment: They recruited 30 men to dance to a drumbeat for 30 seconds. The men were given no specific instructions on how to dance, and their movements were recorded via a sophisticated motion-capture system. Each dancer’s 30-second routine was then used to animate a “featureless, gender-neutral” computer-generated avatar. Researchers asked 37 women to view each of the dancing avatars and rate their performance on a seven-point scale. But how to quantify what’s going on in each video? The researchers developed a taxonomy of individual dance moves. They isolated three key body regions and the main joints within — the central body, including the neck and torso; the legs, including the knees, hips and ankles; and the arms, including the shoulders, elbows and wrists. For each dancer, they measured the degree and type of movement at each joint — speed, size and variety of movements like bending, twisting and tilting.