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Danced with chiseled austerity in taut and complex geometries that keep the patterns tightly connected, (by Terez Dean, Ben Needham-Wood and Rex Wheeler as well as Erica Felsch and Robert Moore, followed by Felsch, Moore and Dustin James) those patterns make baroque-style allusions to the Crucifixion, funeral parades, winding sheets and limp animal bodies draped over shoulders. The evening’s most visually exciting and joyous dance was Val Caniparoli’s witty, ingeniously crafted “Tutto Eccetto il Lavandino” (2014). (That title is a literal translation of the idiom “everything but the kitchen sink.”) Caniparoli set this work to tautly structured Baroque music by Vivaldi and combined movement from the ballet and modern dance canons that shows how supple and self-aware contemporary dance can be without turning coy, pretentious or pedantic.
Little Women: Louisa May Alcott’s classic novel gets a modern retelling, detailing the passage of the March sisters from childhood to womanhood, Night School: Malcolm D, Lee’s comedy revolves around a group of adults attending night classes in hopes that they’ll pass the GED exam to finish high school, Kevin Hart plays one of the students, and Tiffany Haddish is the no-nonsense teacher, Smallfoot: A baby girl shoe, baby shoe ballet flat, pink corduroy ballet flats with crochet detail, christmas gift. Yeti (voiced by Channing Tatum) is convinced that legendary creatures known as “Smallfoots” (humans) really exist in this animated comedy..
Foothill Music Theatre. “Little Shop of Horrors.” Feb. 20-March 9. Directed by Milissa Carey, musical direction by Dolores Duran-Cefalu, choreography by Amanda Folena. Lohman Theatre, Foothill College, 12345 El Monte Road, Los Altos Hills. $10-$28. www.foothillmusicals.com or 650-949- 7360. Department of Music and Vocal Arts at Notre Dame de Namur University. “Little Women.” 7:30 p.m. Feb. 21, 22, 28, March 1; 2 p.m. Feb. 23 and March 2. Notre Dame de Namur University Theatre, 1500 Ralston Ave., Belmont. $15-$25. www.brownpapertickets.com/event/553854.
On a single night in New York in 1961, it’s possible to imagine Bob Dylan, Barbra Streisand and Miles Davis playing clubs in and around the Village, while Gloria Steinem and Robert Benton traded newspapers at Jim baby girl shoe, baby shoe ballet flat, pink corduroy ballet flats with crochet detail, christmas gift. Downey’s Steak House uptown, James Earl Jones was starring in Jean Genet’s “The Blacks” at the St, Mark’s Playhouse, while Edward Albee, having already galvanized off-Broadway with “The American Dream” and “Zoo Story,” was writing “Who’s Afraid of Virginia Woolf?” Stephen Sondheim might have been noodling ideas for “A Funny Thing Happened on the Way to the Forum.” Andy Warhol might have been preparing Marilyn Diptych or 100 Cans and other works for his first solo pop art show the following year..
Citing the grant deed, the Los Angeles Times reported Monday (http://lat.ms/1omnf60 ) that taxes for the opulent estate on 4.9 acres in Holmby Hills have been mailed to the Santa Monica headquarters of the Milken Institute, the think tank founded by financier Michael Milken. The buyer is listed as FDL Property, a limited-liability company registered in Delaware and represented by the law firm of Maron & Sandler, which is based in the building that houses the Milken Institute. But Milken spokesman Geoffrey Moore said neither Milken nor the Milken Institute is the purchaser.